Showing posts with label witchcraft. Show all posts
Showing posts with label witchcraft. Show all posts

Sunday, August 31, 2014

Witchcraft, Alive and Well in Salem


 After the Witch Museum, we decided to walk through Salem. The town, the city, is so beautiful. Being populated does not stop this New England community from appearing moderately sleepy, easily laid down and back-- but full of activity and life. So many people have come to Salem, to stay and to see, and because of this there are so many things to do while you are there.


 The trend begun with the witch museum, where the legitimately historical (the Roger Conant statue) stand aside the melting pot which Salem has become (the museum) continues. On our walk to what would become our first official stop, the Old Salem Burying Ground, took us to a statue of  actress Elizabeth Montgomery, who for years played a fictional witch on the television show "Bewitched." 



We turned a corner and walked by storefronts of businesses belonging to witches, those who practice and or believe in magic, psychics, fortune tellers and every type of belief and person in between. Walking along the water, we found this desk-- which I so dearly would love to have taken home, at the curb on the boardwalk. Only in Salem. And this is what makes this place so special. I wish we could have seen more of the side of Salem, where those who practice the arts of telling fortunes, magic and Witchcraft are. Whenever the subject came up around locals, we were met with testimonials as to who was the real deal, who was not and which ones spent their time in between. The closest we came was stopping in two shops to buy crystals and stones, which were said to help those who carry them on their person with stress and anxiety in life. A post detailing their results will come soon.

 The witchcraft in Salem that is alive and well is no one witch. It is the victims of the witchcraft hysteria, it is the modern day people who practice the religion Wicca, it is Elizabeth Montgomery playing Samantha on "Bewitched," it is the burying ground in the middle of the city, it is the crystals and stones, the witch hat made of a plate and ice cream cones in the coffee shop. The witchcraft of Salem is everything the term has ever meant at once-- and the way the people, streets and places of Salem embrace this destination as a constant season of the witch is a wonderful thing.


Sunday, December 29, 2013

The Season of the Befana


     I hope you had yourself a scary little Christmas, holiday, solistice or whatever early winter rite
you may or may not celebrate. In seasons past, I have written about the scary ghost stories and things that go bump in the night around Christmas. Be it the four ghosts of Charles Dickens' carol, or the punishing Krampus, the Ghost here remains fascinated by the nightmares of Christmas.

italytravelscape.com
     This year, I started reading about the La Befana, the Italian Christmastime legend. Anyone who knows the story of the Befana will know she is a kind, old woman with a broom who brings good children presents on Christmas. Many will tell you she is a witch. Delving deep into the Italian mythology, however, I have not found enough evidence to convict her of witchcraft. Perhaps the fact that Befana is old, with a broom at her side as a constant was enough for her to become a witch by association while the legend lived on and aged-- or, perhaps, it was the intent of the stories which were told to cast her always a witch. Never the matter; there is something about the legend of the Santa Claus-like woman being a witch which enamours the Halloween heart. And something, too, very true to the part of the witch in legend, where the indiviudal will become labeled a witch, for displaying simple pieces of the archetype.

     More formally, the story of Befana has tried to explain her as an heir to a heathen goddess, or at the least begetting her name from such an earth goddess. Befana is commonly described as a devoted housekeeper, who in the most often told story meets the three Magi on their way to visit the Christ child in Bethlehem, and, after they offer to have Befana join them on their quest, are turned down by her, for she has too much to do. Too many floors to be swept and kept clean, too much to do, to go on such a journey. Befana, on their leaving, regrets her decision, and has since spent the ages looking for the Christ child; finding other children on Christmas, and bearing them gifts, when she realizes she has not found the child she is searching for, yet.



     The Christmas ghosts, the Christmas horned-one, the Christmas witch. It would appear there is enough during the dark months while the snow is falling to keep a Halloween child involved, entertained, interested.

     To further celebrate my Befana Christmas, I attempted cut-out cookies of the old woman, with the help of one of my witch cookie cutters-- to questionable success.


Friday, October 4, 2013

"The Witch" by Shirley Jackson


   For something different this evening, a little reading. While my just past trip to Salem, Massachusetts, the site of the infamous 1692 witchcraft hysteria and trials, still freshly settling in my mind, the subject of witches won't seem to leave me. Who they are, who they were, who they weren't and who they could be.


 And this lesser known short story by the author "The Haunting of Hill House" and "The Lottery," Shirley Jackson, came to mind. Something interesting to experience while thinking of the season, while thinking of Salem. From a mind who also, it just so happens (though I haven't read the work) written about the Salem happenings herself.

from: jlax.wikispaces.com/file/view/THE+WITCH.doc

"THE WITCH – Shirley Jackson

  The coach was so nearly empty that the little boy had a seat all to himself, and his mother sat across the aisle on the seat next to the little boy’s sister, a baby with a piece of toast in one hand and a rattle in the other. She was strapped securely to the seat so she could sit up and look around, and whenever she began to slip slowly sideways the strap caught her and held her halfway until her mother turned around and straightened her again. The little boy was looking out the window and eating a cookie, and the mother was reading quietly, answering the little boy’s questions without looking up.
  “We’re on a river,” the little boy said. “This is a river and we’re on it.”
  “Fine,” his mother said.
  “We’re on a bridge over a river,” the little boy said to himself.
  The few other people in the coach were sitting at the other end of the car, if any of then had occasion to come down the aisle the little boy would look around and say, “Hi,” and the stranger would usually say, “Hi,” back and sometimes ask the little boy if he were enjoying the train ride, or even tell him he was a fine big fellow. These comments annoyed the little boy and he would turn irritably back to the window.
  “There’s a cow,” he would say, or, sighing, “How far do we have to go?”
  “Not much longer now,” his mother said, each time.
  Once the baby, who was very quiet and busy with her rattle and toast, which the mother would renew constantly, fell over too far sideways and banged her head. She began to cry, and for a minute there was noise and movement around the mother’s seat. The little boy slid down from his own seat and ran across the aisle to pet his sister’s feet and beg her not to cry, and finally the baby laughed and went back to her toast, and the little boy received a lollipop from his mother and went back to the window.
  “I saw a witch,” he said to his mother after a minute. “There was a big old ugly old bad old witch outside.”
  “Fine,” his mother said.
  “A big old ugly witch and I told her to go away and she went away,” the little boy went on, in a quiet narrative to himself, “she came and said, “I’m going to eat you up,” and I said, “no, you’re not,” and I chased her away, the bad old mean witch.”
  He stopped talking and looked up as the outside door of the coach opened and a man came in. He was an elderly man, with a pleasant face under white hair; his blue suit was only faintly touched by the disarray that comes from a long train trip. He was carrying a cigar, and when the little boy said, “Hi,” the man gestured at him with the cigar and said, “Hello yourself, son.” He stopped just beside the little boy’s seat, and leaned against the back, looking down at the little boy, who craned his neck to look upward. “What you looking for out that window?” the man asked.
  “Witches,” the little boy said promptly. “Bad old mean witches.”
  “I see,” the man said. Find many?”
  “My father smokes cigars,” the little boy said.
  “All men smoke cigars,” the man said. “Someday you’ll smoke a cigar, too.”
  “I’m a man already,” the little boy said.
  “How old are you?” the man asked.
  The little boy at the eternal question, looked at the man suspiciously for a minute and then said, “Twenty-six. Eight hunnerd and forty eighty.”
  His mother lifted her head from the book. “Four,” she said, smiling fondly at the little boy.
  “Is that so?” the man said politely to the little boy. “Twenty-six.” He nodded his head at the mother across the aisle. “Is that your mother?”
  The little boy leaned forward to look and then said, “Yes, that’s her.”
  “What’s your name?” the man asked.
  The little boy looked suspicious again. “MR. Jesus,” he said.
  “Johnny,” the little boy’s mother said. She caught the little boy’s eye and frowned deeply.
  “That’s my sister other there,” the little boy said to the man. “She’s twelve-and-a-half.”
  “Do you love your sister?” the man asked. The little boy stared, and the man came around the side of the seat and sat down next to the little boy. “Listen,” the man said, “shall I tell you about my little sister?”
  The mother, who had looked up anxiously when the man sat down next to her little boy, went peacefully back to her book.
  “Tell me about your sister,” the little boy said. “Was she a witch?”
  “Maybe,” the man said.
  The little boy laughed excitedly, and the man leaned back and puffed at his cigar. “Once upon a time,” he began, “I had a little sister, just like yours.” The little boy looked up at the man, nodding at every word. “My little sister,” the man went on, “was so pretty and so nice that I loved her more than anything else in the world. So shall I tell you what I did?”
  The little boy nodded more vehemently, and the mother lifted her eyes from her book and smiled, listening.
  “I bough her a rocking-horse and a doll and a million lollipops,” the man said, “and then I took her and put my hands around her neck and I pinched her and I pinched her until she was dead.”
  The little boy gasped and the mother turned around, her smile fading. She opened her mouth, and then closed it again as the man went on, “And then I took and I cut her head off and I took her head—“
  “Did you cut her all in pieces?” the little boy asked breathlessly.
  “I cut off her head and her hands and her feet and her hair and her nose,” the man said, “and I hit her with a stick and I killed her.”
  “Wait a minute,” the mother said, but the baby fell over sideways just at that minute and by the time the mother had set her up again the man was going on.
  “And I took her head and I pulled out her hair and---“
  “Your little sister?” the little boy prompted eagerly.
  “My little sister,” the man said firmly. “And I put her head in a cage with a bear and the bear ate it all up.”
  “Ate her head all up?” the little boy asked.
  The mother put her book down, and came across the aisle. She stood next to the man and said, “Just what do you think you’re doing?” The man looked up courteously and she said, “Get out of here.”
  “Did I frighten you?” the man said. He looked down at the little boy and nudged him with an elbow and he and the little boy laughed.
  “This man cut up hi little sister,” the little boy said to his mother.
  “I can very easily call the conductor,” the mother said to the man.
  “The conductor will eat my mommy,” the little boy said. “We’ll chop her head off.”
  “And little sister’s head, too,” the man said. He stood up, and the mother stood back to let him get out of the seat. “Don’t ever come back in this car,” she said.
  “My mommy will eat you,” the little boy said to the man.
  The man laughed, and the little boy laughed, and then the man said, “Excuse me,” to the mother and went past her out of the car. When the door had closed behind him the little boy said, “How much longer do we have to stay on this old train?”
  “Not much longer,” the mother said. She stood looking at the little boy, wanting to say something, and finally she said, “You sit still and be a good boy. You may have another lollipop.”
  The little boy climbed down eagerly and followed his mother back to her seat. She took a lollipop from a bag in her pocketbook and gave it to him. “What do you say?” she asked.
  “Thank you,” the little boy said. “Did that man really cut his little sister up in pieces?”
  “He was just teasing, ”the mother said, and added urgently, “Just teasing.”
  “Prob’ly,” the little boy said. With his lollipop he went back to his own seat, and settled himself to look out the window again. “Prob’ly he was a witch.' " 


Saturday, September 14, 2013

Somewhere wicked there I go...

 
Friday night. This week, the temperatures have dropped here in upstate New York (after soaring briefly, unpleasantly.) I have taken my fall jackets, plaid shirts, pants out of the closet and am now wearing them. In the pumpkin patch I planted never expecting a harvest, my two pumpkins have grown to be big and orange and bright; and, soon, ready to be harvested. The night is coming.


 Fall is here. I'm starting out by going somewhere I have always wanted to, a place that has come to be linked to the season of the witch. This weekend I will be in Salem, Massachusetts. Where, in 1692 through 1693, women and men were accused and tried for the crime of witchcraft, infamously leading to the executions of 19 women and men for these alleged crimes. 

I have always thought of these events with a great sadness, that these unfortunate souls became victims of religious, political and social hysteria, and this lead to their unjust deaths.



 I have also always been fascinated by the trope of the witch. The mysterious other, the often female or feminine, who can control, use nature to empower herself. Often frightening, often powerful, on occasion misunderstood. With due respect to the religion of Wicca, it is the way figures thought of as witches, the other, have been defined and explored that I have always been in love with, always wanted to explore, more, that draws me to people, places and pasts like Salem.

 Tonight I am traveling across New York, headed for Massachusetts, where the idea of "the witch" created such horror so many years ago. I plan on taking as many photos, and writing as many words, as I can of what I will see.