Showing posts with label Frankenstein. Show all posts
Showing posts with label Frankenstein. Show all posts

Sunday, October 1, 2023

On little black cat's feet...


  Hello, old friend. Welcome back to the nights of breeze taking leaves, the red orange bursting from the green in the trees, the flickering candle light behind pumpkin flesh on a porch. 



 Life, as always, continued to challenge this year. In some ways, I have been less prepared for this Season of the Witch than any in recent memory. But when the heat begins to leave us, and make us create our own with sweaters and hoodies and baking ovens and candles for the sun leaves sooner; that, is a challenge, the Ghost is always up for. 




 I started the (no fewer) than 31 Days of Scary Movies a bit early last night, as soon as midnight brought our favored month with it. As I have the last several years, I have started the month of night off with not my fancy, gorgeous 4k print of James Whale's 1931 immortal classic "Frankenstein," but with the nostalgia-dripping box set of Frankenstein from the early-mid 2000s, which the Ghost bought at a time he did not have much else, and each cent has been worth it tenfold ever since. I love the ambient menus with thier old movie sound effects and voices and sound effects of real ghosts, nearing the age of almost 100 years, and listening to the rain, the wind, and, of course, the electric volts used to summon the monster. 




 As always, the sets hit me first. What would it have been like to be on those sets, all those years in the buried past, and see the graveyard with the tower reaper, the stairs leading up to the lab, and the high-vaulted rooms of the Frankenstein estate-- up close, in living color, in person? Also of not much note, on this viewing I noticed more than usual how Elizabeth and Henry seem to have the beginnings, or want for the beginnings, of a relationship even when they are first introduced, and it's a nice detail to wonder just how long Henry's descent into his experiments have been, and what Elizabeth's motives are for staying around and still wanting to marry into all this wealth. 



Sometime while I was watching this scary movie, the fog crept in al lover my world. I looked outside and it was as if Carl Sandberg's poem had come true; and, this time, it was a little black cat who's feet the fog crept in on. I had one more glass of apple cider-- perhaps too much sugar before bed-- and went to sleep with the theme music and scenes from John Carpenter's classic ghost movie, "The Fog," playing in my head. 

 Oh, and earlier in the day I placed this lovely Bat! gifted from a dear friend on our door. 




 I have missed you, October. 


Sunday, October 2, 2022

31 Days of Scary Movies: “Frankenstein” (1931)


 Last year, I attempted to watch 31, scheduled Halloween and or horror films in October. One each day. And write a blog post about them. It became overwhelming, swiftly, but I accomplished it. It became a juggling act; watching the 1.5-2 hour films each night, and writing a blog post that sought to do the films— some of my most beloved— justice. All while having a life and living my best life in the cool October light. This year I am doing the same, but in an attempt to be less overwhelmed, I will be writing some brief thoughts on each film in a quick post each night. 



 Last night was the immortal, amalgamated monster that is director James Whale’s adaption of Mary Shelley’s “Frankenstein,” from 1931. This is a film I watched many times a year, but most often in early October, as it stands tall among the early Universal Monster movies, and, along with tomorrow evening’s film, stands tall as perhaps the most culturally influential horror film of all time. 

 It won’t be many years before Whale’s classic turns 100, and the piece is accessible as it was those many years ago it was made. You would lose much time from your life is you were to list every film, book and piece of art that has taken elements of its neck bolted monster, rising from beneath the sheet from a jolt of lightning caused by a presumably mad scientist one dark and stormy night. 



 Things that also stood out to me in this viewing were the ground it manages to cover in its brevity. Clocking in at just under an hour and ten minutes, the iconography in this film strikes such the needed balances of intrigue, horror and emotion just the right way each moment, and is capable of doing more in its short run time that decades of films much longer have been able to. Much of this is due to Boris Karloff’s incredible performance, 

 Also, while perhaps not at the same level— or, more aptly, style— of its sequel “The Bride of Frankenstein,” this film manages to create some of the most beautiful, detailed and affective sets in all of film history. From the tower castle where the Monster is created, to Elizabeth’s bedroom, to the lake with its lilies— not to mention the windmill— each set is a masterwork. 



 One last note I wrote down was how much the assistant character, who would later come to be known as Igor, causes perhaps all of the mayhem of the film. It is his mistreatment of the monster— against Frankenstein’s orders— that first push the Monster to act out. 

 The lighting strikes, Dr. Frankenstein screams and proclaims “it’s Alive!” and Karloff’s Monster rises. Halloween is here. 



Tuesday, May 5, 2020

Scary Stories: "Mary's Monster: Love, Madness, and How Mary Shelley Created Frankenstein"



 Perhaps it has been the pandemic (well, very likely), but the Ghost has been reading more of the long to read list which awaits him on his shelf. I have finished a book.


 "Mary's Monster: Love, Madness, and How Mary Shelley Created Frankenstein" is a beautiful, haunting and primal look at writer Mary Shelley's life. I have to admit, that I have been a lifetime lover of horror, and "Frankenstein" has near biblical status in my person canon-- but reading this book was the most personal and informative account of Mary's life that I have experienced.

 A graphic novel, the text here is often prose, resulting in a long form poem that would work on its own but excels with the beautiful, ghostly yet alive illustrations showing the complexities of Mary's life, her loves, her sadness and her creation.

 In both film and literature, the story of famous writer creating their renowned creation has become almost a genre in itself. From Michael Cunningham's "The Hours" to the film and subsequent stage musical "Finding Neverland," there is an appetite out there for stories that show how literature's immortal came to be. In this graphic novel, Lita Judge does a fantastic job at not just showing the elements of Mary Shelley's young life that culminated in the novel "Frankenstein," but showing the complexities of how her life and experience led her to the ideas and philosphies her Doctor Frankenstein and his monster have played out for readers across the years-- and forever. will.


From her time as a neglected young girl, with a mother she never knew who would have been so proud of what she accomplishd and persevered through, Mary's life faced constant abuse. Her father, step mother, and later the poet Percy Shelley were all extremely volitale and abusive relationships through which she endured-- and managed to create. Life, in the form of her children and her writing. And this is all captured beautifully in this long form graphic novel. In beautiful black and white. 



The amount of research that went into this piece is daunting, and beyond the limits of commendable. The author's notes and bibliography at the end are worth reading in and of themselves. This is a must read for any lover of Shelley and her monster, and a brilliant piece I am sure I will often find myself returning to. Highly recommended for lovers of scary stories, and lives, art and work that goes in to creating them.