Showing posts with label Headless Horseman. Show all posts
Showing posts with label Headless Horseman. Show all posts

Thursday, October 5, 2023

“In the bosom of one of those spacious coves which indent the eastern shore of the Hudson…”




  

 Every October, I return to and linger a long while in Sleepy Hollow. The town, in reality and fiction and folklore, embodies the spirits of October in more ways than there are headstones in the church yard. Washington Irving’s story is, quite possibly, the most perfect ghost story. The mystery, the doubt, the fear, the urban legends— it is so perfectly the stuff of ghosts. 



 Tonight I went to put on Robert Van Nutt’s animated story book version of the tale, narrated by Glenn Close, which is such a perfect, and book accurate, adaptation. In the process, I found and rented Hobey Ford’s “Ichabod: Sketches from Sleepy Hollow,” which while a very short short, was highly entertaining and worth the one dollar and ninety-nine cents.




 I still watched the Van Nutt version, after. The slowly moving illustrations are the perfect, nostalgia-tinged way to experience the story, in as close a way to reading the text can be without reading the text. 

Saturday, October 8, 2022

31 Days of Scary Movies: Disney’s “The Legend of Sleepy Hollow” 1949


 Of all the things I watched in October, Disney’s “The Legend of Sleepy Hollow,” the concluding segment to “The Adventures of Ichabod and Mr. Toad,” is one film that has perhaps been with me the longest. I believe I first came to it via “Disney’s Halloween Treat,”— the titan of Halloween nostalgia— which will come later in the month. But for more years than I can count, I’ve been watching the animated tale of Ichabod Crane and the ghost stories in Sleepy Hollow.”



 Washington Irving’s “The Legend of Sleepy Hollow,” is maybe my favorite ghost story. And I love ghost stories. The tale, about the fear of tales told in October and scary stories, about schoolmaster Ichabod Crane and his mysterious disappearance, is eternal and classic, and stands large over American horror. There is a lot in Disney’s short animated adaptation that shouldn’t work. Bing Crosby narrates, and he is iconic. Adding popular (at the time) songs to the animation sung by Crosby shouldn’t, on paper, work, but they do. And are incredibly charming. The segments of song with Ichabod, Katrina van Tassel and Brom Bones are always a delight to watch, and do a lot of character work to set up the mystery at the end. 




 Perhaps my favorite song is “The Tale of the Headless Horseman,” told by Brom Bones at the Halloween party. The animation is beautiful, and a Halloween wonder to watch. As the night progresses, and Ichabod heads home after the scary ghost stories, the animation becomes even more affective and iconic. The house with the wind in the trees. Ichabod and his horse slowly galloping though the silent woods, the cemetery, and encountering the ghostly (?) Headless Horseman. 



 I love this film, and could watch it so often I watched it twice last night. Things I noticed on this watch, are being more aware that Ichabod lives in his school house, and the background design of his bed is so detailed; with his bed and books and teapots. Every scene— the ghost story, the autumn fields, the Horseman’s woods— are this detailed, and I would live in them if I could. 



Tuesday, October 26, 2021

31 Days of Scary Movies: “The Legend of Sleepy Hollow” (1949)

 

Next up we returned to Disney and returned to the village of Sleepy Hollow. Disney’s “The Legend of Sleepy Hollow” was made in 1949 as a short film, and packaged with the other, unrelated short film adaptation of “The Wind in the Willows,” and released together as one film, “The Adventures of Ichabod and Mister Toad.” In later years on television, they were shown separately—with Ichabod’s segment titled “The Legend of Sleepy Hollow.” For the purposes of our film series, I watched only the Ichabod portion, which clocks in under half an hour. 

 


Bing Crosby narrates—and sings--  this beautifully animated tale. While the songs are whimsical—“Katrina,” for instance—Disney does not, thankfully shy away from the spookier elements of the story, with the “Headless Horseman” song in which the ghost story is related to Ichabod, and culminating in the spectacularly animated conclusion of Ichabod riding home through the woods—and being chased by the Horseman himself. The animation is so detailed and wonderful—from the Horseman’s cemetery, through the woods, and over the bridge. The Horseman himself and his horse are fiendishly perfect.

 


Something I appreciate a great deal about this version, is while even the Horseman’s chase gets a little—well—cartoonish, they do not shy away from its ultimate conclusion, and in fact embrace the original story’s ambiguity as to Ichabod’s fate. Did he fall victim to the Horseman that night? Did he leave to start a new life? Is the Horseman a real ghost story or not? Disney leaves all of Irving’s original uncertainty—and becomes one of the best adaptations of the Horseman’s tale in the process.  


Tuesday, January 1, 2013

Sleepy Hollow Cemetery, October 2012



 At long last, I have organized all the photos from my Sleepy Hollow trip in October that I took during the afternoon, my first time exploring the cemetery. It would be no exaggeration to say I took hundreds more; at points, I was felt as if I needed to take photos faster than my shutter could manage. The photo album as it stands now is a mere 222 photos. For the record, I've left in some shots I normally would delete, if they were of some interest or no clearer picture existed for.

In recounting my Sleepy Hollow trip, I last left off here-- at the gates of the Sleepy Hollow Cemetery, after exploring the village on a sleepy, chilly October afternoon. Set up at the cemetery gates were tables for the cemetery to sell their wares to support their historic effort. (Among which truly were the best souvenirs to be found in town.) I bought the cemetery's main book, "The Old Dutch Church of Sleepy Hollow: Legends and Lore," and several other mementos, some of which bore the inscription "I lost my head in Sleepy Hollow."

The Dutch Burial Grounds
 The Sleepy Hollow Cemetery exists in two parts. The immediate grounds around the Old Dutch Church which Ichabod raced for is known as the Old Dutch Burial Ground; for it is the original, old Dutch burying ground. Immdiately adjacent to the Old Dutch stones is the greater Sleepy Hollow Cemetery. There are no fences or signs distinguishing the two-- and as I walked, map in hand, I had no idea how big the historic cemetery actually is. The grounds were impossible to cover in a day-- the hills, the trees, the forest, the bridge-- and try as I wanted to I could not see, take in nor photograph all the tombstone beauty I saw.

Lister Monument
 It's striking how vastly diffnerent the kinds of people who are laid to rest in Sleepy Hollow are. The Old Dutch Burial Ground houses some of the earlier settlers( and even a rumored witch.) Washington Irving himself, who wished the grounds to be renamed "The Sleepy Hollow Cemetery" during his life (a request honored some years after his death) is laid to rest there. As are a number of the earlier portions of the twentieth century's wealthiest players (Andrew Carnegie, Elizabeth Arden and father of the labor movement Samuel Gompers, among them.)


Susie Hayt Dibble monument
The timespan of the cemetery and the variety of nature, life and history that lives within the Sleepy Hollow Cemetery bears much similarity to my home cemetery of Forest Lawn's. The generations of people and their monuments that are left behind in such a rolling, secluded natural setting is at once like Forest Lawn, and distinctly different. In all my exploring of cemeteries, I had never, in person, seen the kinds of older, intricate stones that lie within the Dutch burial ground. And to see so many, up close and for my camera (as much as I wanted, I dared not touch them) was something special.

If you made me pick a favorite, or most interesting monument inside the Sleepy Hollow Cemetery, I would easily pick Susie Hayt Dibble. I left Sleepy Hollow with a few photos of her monument, and some thoughts, which I believe I will post about separately this week when I have finished both this post and the next about the nighttime lantern tour that followed.

The traditional 'Horseman's Bridge' deep in the cemetery
 That afternoon in the cemetery, there were two things working against me and my quest of taking as many photos as humanly possible while I saw all the sights there were to see. One, was the daylight as it dwindled. I had tickets for a nighttime lantern tour that evening, but I wanted to see everything I could before the tour; and then have it explained to me. The second was power. I had charged the batteries in my camera all the night before in my hotel room. Normally, if I spend even a couple hours to a whole afternoon roaming Forest Lawn and taking pictures, my batteries always last. They may be slightly depeleted after a few hours, but would be able to keeep going. In the Sleepy Hollow Cemetery, my fully charged batteries for the day lasted about twenty minutes before I had to run over to a gas station to get replacements that would work in my camera. Those lasted a little over an hour. The next batteries, from a different store, lasted a little less than that-- and my memory card, which I had thought would be able to take the afternoon, failed me, as well. Whether they were the victimn of the supposed draining that can occur around paranomally charged places, or the fault of poorly made or old batteries, I will never know. 

Toward the end, I had to furiously delete photos off my camera that I thought were less worth saving than any others. I did so until my batteries gave out. Once that happened, I took several pictures on my iPhone, before relenting to the chill which had now become cold and left to find more batteries, a new memory card and dinner in Tarrytown before the nighttime tour began at nine.

You can see my full Photo Album of the afternoon here: 

Exploring the Sleepy Hollow Cemetery, Sunday afternoon



Monday, October 29, 2012

Exploring Sleepy Hollow, Sunday afternoon

  My first morning in the Sleepy Hollow area began by searching for somewhere to go for a run. Staying across the Hudson, just on the other side of the Tappan Zee Bridge, I found myself at a hotel in a section of Nyack, New York, that was conveniently located exactly at a thruway exit,  but in an area void of any proper sidewalks. I ran up one street, and the sidewalk ended. I ran along another, and in passing wished there were a cemetery somewhere nearby where I could run, as I do in Forest Lawn when I am at home. I ran not twenty seconds down another block, turned a bend-- and an enormous cemetery, set on a large hill, appeared before me. The gates were open, and I would find that the sprawling graveyard spanning the hill was more than large enough to run in, and had graves going back to the very early 1880's, at least. There was even an old plot for a family by the name of "Crane." At the very top of the cemetery, having ran up the hill, you can see over the Hudson River, to Tarrytown and Sleepy Hollow. 


 I was excited to head back over the bridge, pass through Tarrytown, and be in Sleepy Hollow, again. The plan was to wander around the village, see any sights there may be to see, and head to the cemetery. The night before, from what I could see of the cemetery from the Old Dutch Church, I thought I knew how big-- or, rather, small-- it actually was. The lantern tour was not until seven in the evening; I thought that after looking around the village, I could see what the full cemetery was like, and take it all in prior to the tour. 

 My first thoughts seeing the Hollow in daylight were, still, that the Horseman was everywhere. From the street signs, to the village hall-- to restaurants, the post office and fire department-- either he was there on horseback, or he was chasing poor, terrified Ichabod. It was also quietly amazing, pleasantly surprising how much the village, in 2012, feels like the opening lines of Irving's story. In my head, walking the streets, I heard the words "Not far from this village, perhaps about two miles, there is a little valley, or rather lap of land, among high hills, which is one of the quietest places in the whole world. A small brook glides through it, with just murmur enough to lull one to repose; and the occasional whistle of a quail, or tapping of a woodpecker, is almost the only sound that ever breaks in upon the uniform tranquillity."

The weather was calm. Even the wind was quiet-- and the dropping rain, sparing but ever present. The leaves continued to drift down from the trees, falling to pave the streets. There are several streets intersecting with the main road in the village, and the shops, stores, homes, restaurants and the like did not seem big, did not seem small-- just quiet. Very sleepy. "A drowsy, dreamy influence seems to hang over the land, and to pervade the very atmosphere." I could hear Irving's words very clearly. 

As I headed closer to the bridge, the church and the churchyard, I began to completely understand the influence a place like this can have, the spirit which makes tales such as the Horseman possible. "A drowsy, dreamy influence seems to hang over the land, and to pervade the very atmosphere. Some say that the place was bewitched by a high German doctor, during the early days of the settlement; others, that an old Indian chief, the prophet or wizard of his tribe, held his pow-wows there before the country was discovered by Master Hendrick Hudson." 


 In the daylight, it struck me how clear you can see Ichabod's path. Walking up the street, you see the bridge, the church and churchyard all in succession-- and, now, you even see a statue of the Horseman's chase, as if Ichabod will eternally be riding that way, for the bridge he will never reach. I imagine Washington Irving wouldn't be able to help being proud, if he were able to come back (from the churchyard) to the Hollow today-- and see that the legend he penned to paper has taken on such an immortal life, it nows stands literally in the spot which the fiction took place. It is an awesome thing, an aweseome feeling. 

 Finally, I came to the church again. The plan was to explore the cemetery on my own, in the daylight, in preparation for the tour. Before passing through the gates, I  met the tent sent up by the Old Dutch Church to sell souveniors and the like. Incredibly charming people, with wares that many of which were nicer and more interesting the the gift shop by the Horseman's Hollow I'd been to the night before. I bought their book on the cemetery, among other things-- and headed off to walk among Sleepy Hollow's graves. 
The street, the bridge, the church and churchyard- with the statue far right.



My full album of the afternoon (before the cemetery) here:

Sunday, October 21, 2012

Horseless Headsman


 While I prepare for Halloween, and get the rest of my Sleepy Hollow posts writtten, tonight I give you a commercial that struck my funny bone. Well done, Snickers. Well done.



YouTube: SnickersBRAND

Sunday, October 9, 2011

Fall in Sleepy Hollow



"It was, as I have said, a fine autumnal day; the sky was clear and serene, and nature wore that rich and golden livery which we always associate with the idea of abundance. The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet." 

 -Washington Irving, "The Legend of Sleepy Hollow"

 While doing my cemetery photo wandering this weekend, which I am readying to begin posting tomorrow, I had the random thought of how much I wanted to read Washington Irving's original tale of Ichabod Crane and the Headless Horseman. Always enamored with the tale, the above passage struck me as so beautifully representative of the glory of this season we are in.