Showing posts with label johnny depp. Show all posts
Showing posts with label johnny depp. Show all posts

Saturday, October 23, 2021

31 Days of Scary Movies: “Sleepy Hollow” (1999)

 

While I have tried to be diverse about my selections for the film project, some names can’t help but show up multiple times. Some are just too essential to Halloween viewing to only make an appearance on one night. Director Tim Burton is one of those names, and he returned last night with his wildly October 1999 version of “Sleepy Hollow.” Starring Burton standard Johnny Depp as Ichabod Crane and Christina Ricci as Katrina Von Taseel—with a wickedly beyond perfect performance by Christopher Walken as the Headless Horseman—“Sleepy Hollow” is what is now quintessentially a Burton film, but one that stands all on its own.


  There is precious little in the film that is faithfully adapted from Washington Irving’s definitive American ghost story “The Legend of Sleepy Hollow.” Ichabod is not a school master but a detective from New York City, and there is no ambiguity over whether or not the Horseman is supernatural or Brom Bones playing a trick on Ichabod. But that is okay. This is a wild amalgamation of an American Halloween film—using Irving’s immortal ghost story as a jumping off point, this is part Halloween film filled with jack o’ lanterns and scarecrows, part mystery, part witch legend and part slasher film. The atmosphere of this film is dreamlike and brilliantly contained. The dreary October woods and Colonial villages are painstakingly recreated, and always a beautiful sight to take in. The Horseman himself is scary while being over the top but not too much so; in Walken’s few flashback scenes where he has his head, you know while watching them that no one else could play the Horseman like him. Depp is also spectacular, brilliantly modeling his detective Ichabod after Angela Lansbury’s “Murder She Wrote” character; a perfect choice for Ichabod as a detective, if there ever was one. Miranda Richardson is also wickedly wonderful in her role.


The physical horror here is also played up to a degree that Burton has rarely touched, but when he does he gets it perfectly right. The decapitations happen quick and furiously, and creates a world where at any moment the world turns still and the Horseman can charge out of the road, removing anyone’s head who is in his path. This effect could have misfired, but it is so effective and, truly, scary. Burton knows what he is doing, and uses blood the way the old Hammer horror films did; not constantly,  but when present shockingly over the top. Danny Elfman’s score for the film is also iconic, and used to great effect in this village of “Sleepy Hollow.” I have watched this version every October for many years, and will always continue to do so.



Thursday, October 7, 2021

31 Days of Scary Movies: Dark Shadows (2012)


 Last night, it was 2012’s “Dark Shadows” turn on the stage for 31 days of scary movies. Tim Burton’s film version of the beloved 1960s ABC soap opera that has seen decades of television, novels, comics and the like continue on its tradition, this is a film that I enjoy so much, and do not feel gets enough due. 

 

What isn’t there to love in “Dark Shadows?” There are vampires, ghosts, witches, werewolves and curses— all soap operatically entwined together. This film feels at once a quintessential Burton film, made for his talents; and yet freshly original. His staples are present— Johnny Depp in the lead as cursed vampire Barbara’s Collins, Helena Bonham Carter as Dr. Hoffman, and even Michelle Pfeiffer as Elizabeth Collines Stoddard. The film is set against a gorgeous backdrop; an autumnal New England town, full of old, dark houses and pumpkin patches. And the script, by Seth Grahame-Smith, does a fantastic job at summing up what fans of the “Dark Shadows” canon love, while being something entirely new at the same time. The author of the novels “Abraham Lincoln Vampire Hunter” and “Pride and Prejudice and Zombies,” the humor here is wicked, whip smart, and is very much the result of these spooky characters and their happenings— but rarely at their expense.  


 Watching this again, I had some thoughts. Depp is excellent here as Barnabas, and the humor is— while acted out in the flamboyant character of the undead vampire Barbara’s— noticeably restrained, in all the best ways. The film also makes wonderful, nostalgic use of its 1970s setting. We have seen so many films— and so many scary films— that have a time displaced character navigating modern times; and the twist here, that the times are modern, though a bit in the past now, is extremely clever, and always hilarious. Seeing Michelle Pfieffer at her full talents in a Burton film is wonderful as well, and the secondary cast down to Jackie Earle Haley and Chloe Grace Moretz are wonderful. For any Halloween fan, and fan of Burton, “Dark Shadows” is also breathtakingly beautiful to look at. 

I was also struck by the fact that this film came out in 2012, a whole 9 years ago. I remember carving Depp as Barnabas into a pumpkin that Halloween, but I doubt I would have said this happened as long ago as a decade. I am glad I added this to the Halloween rotation; Burton’s “Dark Shadows” is an October-keeper.